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60th BFI London Film Festival (Week 2)

October 14, 2016 Capture Account
Photograph courtesy of Lord Anthony

Photograph courtesy of Lord Anthony

After a whirlwind 12 days the 60th BFI London Film Festival has come to an end!  The final week of the festival certainly lived up to the first, with a brilliant selection of events for filmmakers and a whole host of films to watch.  Wednesday evening's New Talent party hosted by the BFI NET.WORK at the BFI Southbank was a night to celebrate filmmakers whose first feature or short films were included in the festival program.  Thursday night was all about documentaries with the Grierson Awards Documentary Reception, a great night of networking with other filmmakers whose docs were selected this year. 

Friday was the night we had been waiting for, the European Premiere of our feature length doc The Man from Mo'Wax.  The film screened to an audience of 400 (including the film's star James Lavelle as well as other contributors Paul Bradshaw and Jane Beese, Head of Music at the Roundhouse) at Leicester Square's VUE cinema after being introduced by producers M J McMahon, Brian A. Hoffman and director Matthew Jones.  The screening was followed by a Q&A hosted by the BFI London Film Festival Head Programmer Stuart Brown with Matthew and the film's creative editor Alec Rossiter.  The Man from Mo'Wax received an overwhelmingly positive response and we couldn't have been more thrilled to share the project with a UK audience in the city that has so much importance to the film.  

BFI Head Programmer Stuart Brown, director Matthew Jones and producers Brian A. Hoffman and M J McMahon, photography by Lord Anthony

BFI Head Programmer Stuart Brown, director Matthew Jones and producers Brian A. Hoffman and M J McMahon, photography by Lord Anthony

On Saturday The Man from Mo'Wax had it's second screening this time at Picturehouse Central.  We were especially pleased to have the Mo'Wax/UNKLE fan base out in full force for this screening, and for a full debrief on the making of the film at the bar afterwards!  And as if all that wasn't enough we topped off the last weekend of the festival with a barrage of bullets attending the European Premiere of Ben Wheatley's Free Fire!  

Producers Brian A. Hoffman and M J McMahon, photograph by Lord Anthony

Producers Brian A. Hoffman and M J McMahon, photograph by Lord Anthony

Q&A with editor Alec Rossiter, director Matthew Jones and Stuart Brown

Q&A with editor Alec Rossiter, director Matthew Jones and Stuart Brown

BFI Head Programmer Staurt Brown, director Matthew Jones and producers Brian A. Hoffman and M J McMahon

BFI Head Programmer Staurt Brown, director Matthew Jones and producers Brian A. Hoffman and M J McMahon

Producer Brian A. Hoffman and archive researcher Talisa Oberoi

Producer Brian A. Hoffman and archive researcher Talisa Oberoi

To keep up to date with The Man from Mo'Wax check out the official Facebook page 

 

   

Editor Alec Rossiter with director Matthew Jones and producer Brian A. Hoffman

Editor Alec Rossiter with director Matthew Jones and producer Brian A. Hoffman

Afternoon tea with the press

Afternoon tea with the press

The Grierson Trust chairman Lorraine Heggessey

The Grierson Trust chairman Lorraine Heggessey

Photograph by Lord Anthony

Photograph by Lord Anthony

Tim Stevens, director Matthew Jones and editor Alec Rossiter

Tim Stevens, director Matthew Jones and editor Alec Rossiter

← Killing Thyme US Premiere at Austin Film Festival 60th BFI London Film Festival (Week 1) →
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MUSCLE Out now on VoD.🎟
🖥 Edit Facilities, 💥VFX and  Title Design by @capture_grams 
Starring Craig Fairbrass & Cavan Clerkin. 
Directed by Gerard Johnson for @stigmafilmsuk 
★★★★ - Empire 
★★★★ - The Times
★★★★ -  Total Film 
★★★★ - Daily Mir
MUSCLE Out now on VoD.🎟 🖥 Edit Facilities, 💥VFX and Title Design by @capture_grams Starring Craig Fairbrass & Cavan Clerkin. Directed by Gerard Johnson for @stigmafilmsuk ★★★★ - Empire ★★★★ - The Times ★★★★ - Total Film ★★★★ - Daily Mirror #musclefilm #britishcinema #craigfairbrass #PostProduction #titledesign
MUSCLE Out now on VoD.🎟
🖥 Edit Facilities, 💥VFX and Title Design by @capture_grams 
Starring Craig Fairbrass & Cavan Clerkin. 
Directed by Gerard Johnson for @stigmafilmsuk 
★★★★ - Empire 
★★★★ - The Times
★★★★ -  Total Film 
★★★★ - Daily Mirr
MUSCLE Out now on VoD.🎟 🖥 Edit Facilities, 💥VFX and Title Design by @capture_grams Starring Craig Fairbrass & Cavan Clerkin. Directed by Gerard Johnson for @stigmafilmsuk ★★★★ - Empire ★★★★ - The Times ★★★★ - Total Film ★★★★ - Daily Mirror #musclefilm #britishcinema #craigfairbrass #PostProduction #titledesign
MUSCLE Out now on VoD.🎟
🖥 Edit Facilities, 💥VFX and  Title Design by @capture_grams 
Starring Craig Fairbrass & Cavan Clerkin. 
Directed by Gerard Johnson for @stigmafilmsuk 
★★★★ - Empire 
★★★★ - The Times
★★★★ -  Total Film 
★★★★ - Daily Mir
MUSCLE Out now on VoD.🎟 🖥 Edit Facilities, 💥VFX and Title Design by @capture_grams Starring Craig Fairbrass & Cavan Clerkin. Directed by Gerard Johnson for @stigmafilmsuk ★★★★ - Empire ★★★★ - The Times ★★★★ - Total Film ★★★★ - Daily Mirror #musclefilm #britishcinema #craigfairbrass #PostProduction #titledesign
New work for @kodaline - ‘This Must Be Christmas’ music video
.
Production Company: @capture_grams
Director: @lee.holmes
Producers: Matthew Jones & M J McMahon
DOP: @orlandoomahoney
Gaffer: @jamesduffy.gaffer
Colour grade by @jamienob
New work for @kodaline - ‘This Must Be Christmas’ music video . Production Company: @capture_grams Director: @lee.holmes Producers: Matthew Jones & M J McMahon DOP: @orlandoomahoney Gaffer: @jamesduffy.gaffer Colour grade by @jamienoble_colour at @studiorm__rm 1st AD: @erenkaplan_ 1st AC: @nacho__1986 Spark: @luke_greenan Hair & Makeup Artist: @rlisachau Hair & Makeup Assistant: @rachelmcdonaldmua Stylist: @tanjamartinstylist Production Design: Johnny Savage Art Department: @boy_in_the_beat_up_jag . Shot on location in South London on the Sony Venice with Atlas Orion Anamorphic lenses
New work for @kodaline - ‘This Must Be Christmas’ music video
.
Production Company: @capture_grams
Director: @lee.holmes
Producers: Matthew Jones & M J McMahon
DOP: @orlandoomahoney
Gaffer: @jamesduffy.gaffer
Colour grade by @jamienob
New work for @kodaline - ‘This Must Be Christmas’ music video . Production Company: @capture_grams Director: @lee.holmes Producers: Matthew Jones & M J McMahon DOP: @orlandoomahoney Gaffer: @jamesduffy.gaffer Colour grade by @jamienoble_colour at @studiorm__rm 1st AD: @erenkaplan_ 1st AC: @nacho__1986 Spark: @luke_greenan Hair & Makeup Artist: @rlisachau Hair & Makeup Assistant: @rachelmcdonaldmua Stylist: @tanjamartinstylist Production Design: Johnny Savage Art Department: @boy_in_the_beat_up_jag . Shot on location in South London on the Sony Venice with Atlas Orion Anamorphic lenses
New work for @kodaline - ‘This Must Be Christmas’ music video
.
Production Company: @capture_grams
Director: @lee.holmes
Producers: Matthew Jones & M J McMahon
DOP: @orlandoomahoney
Gaffer: @jamesduffy.gaffer
Colour grade by @jamienob
New work for @kodaline - ‘This Must Be Christmas’ music video . Production Company: @capture_grams Director: @lee.holmes Producers: Matthew Jones & M J McMahon DOP: @orlandoomahoney Gaffer: @jamesduffy.gaffer Colour grade by @jamienoble_colour at @studiorm__rm 1st AD: @erenkaplan_ 1st AC: @nacho__1986 Spark: @luke_greenan Hair & Makeup Artist: @rlisachau Hair & Makeup Assistant: @rachelmcdonaldmua Stylist: @tanjamartinstylist Production Design: Johnny Savage Art Department: @boy_in_the_beat_up_jag . Shot on location in South London on the Sony Venice with Atlas Orion Anamorphic lenses
Days of The Bagnold Summer by @stigmafilmsuk directed by Simon Bird is out now on digital streaming platforms. Very proud to be part of this project. Title Design and Edit Facilities by Capture. 
Watch the film now on BFI Player, Amazon Prime, Apple
Days of The Bagnold Summer by @stigmafilmsuk directed by Simon Bird is out now on digital streaming platforms. Very proud to be part of this project. Title Design and Edit Facilities by Capture. Watch the film now on BFI Player, Amazon Prime, Apple TV / Itunes and Sky Store. Digital Premiere on @YahooMoviesUK Monday 8th June, 7pm followed by Q&A hosted by Edith Bowman with Simon Bird, Earl Cave & Monica Dolan. #daysofthebagnoldsummer #simonbird #fridaynightdinner #tamsingreig #earlcave #robbrydon #monicadolan #alicelowe #indiefilm #britishfilm
Days of The Bagnold Summer by @stigmafilmsuk directed by Simon Bird is out now on digital streaming platforms. Very proud to be part of this project. Title Design and Edit Facilities by Capture. 
Watch the film now on BFI Player, Amazon Prime, Apple
Days of The Bagnold Summer by @stigmafilmsuk directed by Simon Bird is out now on digital streaming platforms. Very proud to be part of this project. Title Design and Edit Facilities by Capture. Watch the film now on BFI Player, Amazon Prime, Apple TV / Itunes and Sky Store. Digital Premiere on @YahooMoviesUK Monday 8th June, 7pm followed by Q&A hosted by Edith Bowman with Simon Bird, Earl Cave & Monica Dolan. #daysofthebagnoldsummer #simonbird #fridaynightdinner #tamsingreig #earlcave #robbrydon #monicadolan #alicelowe #indiefilm #britishfilm
Days of The Bagnold Summer by @stigmafilmsuk directed by Simon Bird is out now on digital streaming platforms. Very proud to be part of this project. Title Design and Edit Facilities by Capture. 
Watch the film now on BFI Player, Amazon Prime, Apple
Days of The Bagnold Summer by @stigmafilmsuk directed by Simon Bird is out now on digital streaming platforms. Very proud to be part of this project. Title Design and Edit Facilities by Capture. Watch the film now on BFI Player, Amazon Prime, Apple TV / Itunes and Sky Store. Digital Premiere on @YahooMoviesUK Monday 8th June, 7pm followed by Q&A hosted by Edith Bowman with Simon Bird, Earl Cave & Monica Dolan. #daysofthebagnoldsummer #simonbird #fridaynightdinner #tamsingreig #earlcave #robbrydon #monicadolan #alicelowe #indiefilm #britishfilm
Capture were tasked with creating the Opening Titles, and multiple motion design elements across the Revolution Films’ production of #michaelwinterbottom ‘s GREED #greedmovie IN CINEMAS NOW. #titledesign #motiondesign  #motiongraphics
Capture were tasked with creating the Opening Titles, and multiple motion design elements across the Revolution Films’ production of #michaelwinterbottom ‘s GREED #greedmovie IN CINEMAS NOW. #titledesign #motiondesign #motiongraphics
Capture were tasked with creating the Opening Titles, and multiple motion design elements across the Revolution Films’ production of #michaelwinterbottom ‘s GREED #greedmovie IN CINEMAS NOW. #titledesign #motiondesign  #motiongraphics
Capture were tasked with creating the Opening Titles, and multiple motion design elements across the Revolution Films’ production of #michaelwinterbottom ‘s GREED #greedmovie IN CINEMAS NOW. #titledesign #motiondesign #motiongraphics
Capture were tasked with creating the Opening Titles, and multiple motion design elements across the Revolution Films’ production of #michaelwinterbottom ‘s GREED #greedmovie IN CINEMAS NOW. #titledesign #motiondesign  #motiongraphics
Capture were tasked with creating the Opening Titles, and multiple motion design elements across the Revolution Films’ production of #michaelwinterbottom ‘s GREED #greedmovie IN CINEMAS NOW. #titledesign #motiondesign #motiongraphics
Zuzu ‘Skin and Bone’ - Official Music Video
Our latest music video is for the brilliant @thisiszuzu and her song ‘Skin and Bone’ which is launching her new E.P ‘How It Feels’
The track is heavier topically than any
Zuzu ‘Skin and Bone’ - Official Music Video Our latest music video is for the brilliant @thisiszuzu and her song ‘Skin and Bone’ which is launching her new E.P ‘How It Feels’ The track is heavier topically than anything Zuzu has released before as it focuses on domestic abuse, as does the video. . . . . #musicvideo #zuzu #skinandbone #liverpool #london #femaleartist
Zuzu ‘Skin and Bone’ - Official Music Video
Our latest music video is for the brilliant @thisiszuzu and her song ‘Skin and Bone’ which is launching her new E.P ‘How It Feels’
The track is heavier topically than any
Zuzu ‘Skin and Bone’ - Official Music Video Our latest music video is for the brilliant @thisiszuzu and her song ‘Skin and Bone’ which is launching her new E.P ‘How It Feels’ The track is heavier topically than anything Zuzu has released before as it focuses on domestic abuse, as does the video. . . . . #musicvideo #zuzu #skinandbone #liverpool #london #femaleartist
Zuzu ‘Skin and Bone’ - Official Music Video
Our latest music video is for the brilliant @thisiszuzu and her song ‘Skin and Bone’ which is launching her new E.P ‘How It Feels’
The track is heavier topically than any
Zuzu ‘Skin and Bone’ - Official Music Video Our latest music video is for the brilliant @thisiszuzu and her song ‘Skin and Bone’ which is launching her new E.P ‘How It Feels’ The track is heavier topically than anything Zuzu has released before as it focuses on domestic abuse, as does the video. . . . . #musicvideo #zuzu #skinandbone #liverpool #london #femaleartist
To launch Kele’s album 2042, BIG LIFE Management tasked Capture to realise Kele’s personal vision and concept for a music video for the track Guava Rubicon. “This Video will always be beautiful for me as its simply two woman of colo
To launch Kele’s album 2042, BIG LIFE Management tasked Capture to realise Kele’s personal vision and concept for a music video for the track Guava Rubicon. “This Video will always be beautiful for me as its simply two woman of colour who are in love, no tricks, no gimmicks, just love. Sadly this is a dynamic that I rarely see represented in popular culture, so I wanted to represent as best I could” - Kele Okereke. Shot across one day entirely on location in Brixton, South London, the video takes you into the world of young couple in love. — “A SLEEK PRODUCTION…INTIMATE AND REFRESHING” - Fader Magazine — #kele #musicvideo #2042 #rubiconguava #redepicdragon #brixton
KELE - ‘Guava Rubicon’ —
Music Promo for Big Life Management
directed by Lee Holmes @lee.holmes 
#kele #2042 #rubiconguava
KELE - ‘Guava Rubicon’ — Music Promo for Big Life Management directed by Lee Holmes @lee.holmes #kele #2042 #rubiconguava
To launch Kele’s album 2042, BIG LIFE Management tasked Capture to realise Kele’s personal vision and concept for a music video for the track Guava Rubicon. “This Video will always be beautiful for me as its simply two woman of colo
To launch Kele’s album 2042, BIG LIFE Management tasked Capture to realise Kele’s personal vision and concept for a music video for the track Guava Rubicon. “This Video will always be beautiful for me as its simply two woman of colour who are in love, no tricks, no gimmicks, just love. Sadly this is a dynamic that I rarely see represented in popular culture, so I wanted to represent as best I could” - Kele Okereke. Shot across one day entirely on location in Brixton, South London, the video takes you into the world of young couple in love. “A SLEEK PRODUCTION…INTIMATE AND REFRESHING” - Fader Magazine #kele #2042 #brixton #musicvideo #newmusic
Adidas x Stella McCartney - Motion billboards for the Wimbledon Summer 2019 Campaign.
—
- 3D Design & Animation
- Motion Design
- Compositing
- 18x different files in multiple codecs

#capture 
CLIENT: @studio__rm
Adidas x Stella McCartney - Motion billboards for the Wimbledon Summer 2019 Campaign. — - 3D Design & Animation - Motion Design - Compositing - 18x different files in multiple codecs #capture CLIENT: @studio__rm
Adidas x Stella McCartney - Motion billboards for the Wimbledon Summer 2019 Campaign.
—
- 3D Design & Animation
- Motion Design
- Compositing
- 18x différent files in multiple codecs

#capture 
CLIENT: @studio__rm
Adidas x Stella McCartney - Motion billboards for the Wimbledon Summer 2019 Campaign. — - 3D Design & Animation - Motion Design - Compositing - 18x différent files in multiple codecs #capture CLIENT: @studio__rm

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